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Fangoria#355 | p.81 | Fest Finds |
When arty filmmakers approach classic horror subgenres, great things can happen. | ||
David Bruckner![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Fangoria#356 | p.10 | Elegy: The Last Gasp |
Berlinale was one of the last film events to take place before COVID-19 pressed pause on the world. Here are the ten can't-miss titles. | ||
Possessor![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Fangoria#357 | p.41 | Interview: A Dangerous Inevitability |
Brandon Cronenberg's POSSESSOR explores the violent pitfalls of evolution-changing technology. | ||
Brandon Cronenberg![]() ![]() |
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Fangoria#357 | p.46 | Minifeature: How to Kill Sean Bean (Again) |
At this point, slaughtering the oft-murdered veteran actor takes talent AND originality. | ||
Dan Martin![]() ![]() |
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Fangoria#359 | p.80 | Who Am I Here? |
In 2021, social media lets you present any version (or versions) of yourself to the world, reinventing yourself as needed. A handful of horror movies predicted this troubling dynamic. | ||
The Lawnmower Man![]() ![]() ![]() ![]() |