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best of gorezone overzicht
<< Fangoria#9 Vol. 2 >>

oktober 2020
p.4 | Invocation: Change Should Not Be Easy | |
p.5 | The Postal Zone | |
p.6 | Advertisment: Halloween Streams | |
How Shudder and streaming services saved Halloween 2020. | ||
Creepshow![]() ![]() ![]() ![]() |
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p.8 | Monster Invasion | |
And More! | ||
The Swerve![]() ![]() |
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p.9 | Minifeature: R.I.P. Robert H. Martin | |
Former Fango editors pay tribute to the man behind the magazine's 1980s ascendancy. | ||
Robert H. Martin![]() |
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p.10 | Elegy: What About (Uncle) Bob? | |
Remembering the man who defined FANGORIA's early days. | ||
Robert H. Martin![]() |
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p.12 | Exordium: Best on the Big Screen | |
Being denied the theatrical experience really makes one appreciate the all-time greatest big-screen viewings. | ||
Rick Rosenthal![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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p.14 | Come Play With A New Kind Of Monster | |
Amblin calls the director of an impressive horror short up to the big leagues. | ||
Jacob Chase![]() ![]() |
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p.18 | The Year of Brea Grant | |
The genre gem puts in the OT and takes it to the next level with 12 HOURS SHIFT. | ||
Brea Grant![]() ![]() ![]() ![]() |
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p.22 | Interview: Old Ghosts, New Haunts | |
A conversation with BLY MANOR's head caretaker Mike Flanagan. | ||
Mike Flanagan![]() ![]() |
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p.28 | Exploring the Henry James Multiverse in The Haunting of Bly Manor | |
Mike Flanagan turns the screws in Netflix's latest series. | ||
Mike Flanagan![]() ![]() |
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p.30 | Welcome to The Blumhouse: There's No Horror Like Home | |
Blumhouse Television and Amazon Studios put the fun in family dysfunction. | ||
Veena Sud![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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p.34 | Evil Eye Brings Indian Horror and Indian Mothers to the Fore | |
In Elan and Rajeev Dassani's new film, family dynamics and colliding cultures provide anxiety, dread - and horror. | ||
Rajeev Dassani![]() ![]() ![]() |
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p.38 | The Wolf of Snow Hollow: Liner Notes | |
The writer-director of THUNDER ROAD tries horror on for size. | ||
Jim Cummings![]() ![]() |
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p.41 | Interview: A Dangerous Inevitability | |
Brandon Cronenberg's POSSESSOR explores the violent pitfalls of evolution-changing technology. | ||
Brandon Cronenberg![]() ![]() |
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p.46 | Minifeature: How to Kill Sean Bean (Again) | |
At this point, slaughtering the oft-murdered veteran actor takes talent AND originality. | ||
Dan Martin![]() ![]() |
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p.48 | Interview: Swap & Chop | |
FANGO gets Freaky with Christopher Landon. | ||
Christopher Landon![]() ![]() |
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p.54 | Interview: Kathryn Newton Wants To Be A Meme | |
Or A Costume! And Freaky Just Might Take Her There? | ||
Kathryn Newton![]() ![]() |
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p.58 | Minifeature: Writing My Way Out: The Path To Freaky | |
The screenwriter behind Blumhouse's body swap horror comedy opens up. | ||
Michael Kennedy![]() ![]() |
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p.62 | Photo Feature: From The FANGORIA Vault: Candyman | |
We're as disappointed as the rest of you that Nia Da Costa's CANDYMAN has been pushed to 2021, but a little bee (named Phil) tells us it's worth the wait. To tide you over in the meantime, enjoy these indelible images from the 1992 original, pulled from our own archives. | ||
Bernard Rose![]() ![]() |
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p.64 | Candyman, Madonna and My Brother | |
1992's CANDYMAN left a mark on so many, and often in surprising and unexpected ways. This is one such instance. | ||
Jonah Ray Rodrigues![]() ![]() |
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p.68 | Rap Game of Death | |
You know horror's endless fight for respect in Hollywood? Well, it's even worse in hip-hop. | ||
Geto Boys![]() ![]() |
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p.72 | Interview: Nightmares On Wax | |
As the connection between horror and hip-hop enters its fifth decade, Clipping just might reinvent the relationship. | ||
Clipping![]() |
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p.76 | Little Deaths | |
The surprising (is it, though?) relationship between horror and kink. | ||
p.79 | Another Lesbian Psycho: In Defense of Haute Tension | |
Was Alexandre Aja's 2003 film a problematic deal-breaker, or was it in fact inviting the queer audience to join the nasty party of the New French Extremity? | ||
Alexandre Aja![]() ![]() |
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p.82 | COVID Cinema | |
How a pandemic has changed the way Hollywood works. | ||
Jed Brian![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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p.86 | Scene Queen: Performing in a Pandemic | |
The game has changed, but that doesn't keep our intrepid reporter from playing it. | ||
Barbara Crampton![]() |
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p.88 | Rated XX/XY: From Barbra to Barbara | |
Romero's Zombieverse offers an intriguing arc via its women protagonists. | ||
Patricia Tallman![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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p.91 | Fest Finds | |
When arty filmmakers approach classic horror subgenres, great things can happen. | ||
John Hsu![]() ![]() ![]() ![]() ![]() ![]() |
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p.92 | Nightmare Library | |
Be Scared Of Everything by Peter Counter | ||
Peter Counter Be Scared Of Everything | ||
They All Died Screaming by Kristopher Triana | ||
Kristopher Triana They All Died Screaming | ||
The Hollow Places by T. Kingfisher | ||
T. Kingfisher The Hollow Places | ||
Tiny Nightmares: Very Short Stories of Horror by Nadxieli Nieto & Lincoln Michel | ||
Nadxieli Nieto![]() |
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p.94 | Story: Debridement | |
Clay McLeod Chapman![]() |
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p.98 | Classified Ad Vault |