Fangoria issue
<< Fangoria#13 Vol. 2 >>
oktober 2021
| p.4 | Invocation: Big Swings In Haddonfield | |
David Gordon Green Halloween Kills |
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| p.5 | The Postal Zone | |
| p.6 | Monster Invasion | |
| Welcome (Back) To The Blumhouse This year's collection of horrors explore some of the lesser-traveled corridors of fear. |
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Maritte Lee Go Ryan Zaragoza Gigi Saul Guerrero Axelle Carolyn Welcome to the Blumhouse Black as Night Madres Bingo Hell The Manor |
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| p.9 | Fest Finds | |
| If a filmmaker scores a festival slot with their first feature, there's usually a good reason - as She Will proves. | ||
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Charlotte Colbert She Will |
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| p.10 | Exordium: Locations, Locations, Locations | |
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Maximum Overdrive |
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| p.12 | Scene Queen: Bare With Me | |
| Our frontline correspondent opines on nudity in horror films. | ||
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Barbara Crampton |
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| p.14 | Bewitching the Audience | |
| Kier-La Janisse's new documentary WOODLANDS DARK AND DAYS BEWITCHED draws an extensive map of folk horror cinema. | ||
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Kier-La Janisse Woodlands Dark and Days Bewitched: A History of Folk Horror |
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| p.18 | Less Tangible Horrors | |
| The Art of Richard Wells | ||
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Richard Wells |
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| p.24 | A Gig to Kill For | |
| The Oscar-winning makeup FX artist behind Halloween Kills spills his (and other's) guts, reshapes The Shape, and ponders the beauty of the perfect onscreen kill. | ||
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Christopher Allen Nelson Halloween Kills Halloween |
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| p.31 | Welcome to Haddonfield | |
| A house in Southe Pasadena is a piece of horror history. Behind that house, an art gallery celebrates that history. | ||
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Sara Rose Orlandini Halloween |
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| p.34 | Interview: A Doll's House | |
| Chucky creator Don Mancini on the twisted, increasingly queer universe he's spent over 30 years building. | ||
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Don Mancini Chucky Bride of Chucky Seed of Chucky Cult of Chucky Curse of Chucky |
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| p.37 | Minifeature: Chucky Paints the Writer's Room Red | |
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Don Mancini Chucky |
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| p.39 | When Were-Tigers Roamed | |
| The original lost Sitora | ||
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P. Ramlee Sitora Harimau Jadian |
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| p.42 | Interview: Past tense | |
| In Last Night in Soho, Thomasin McKenzie learns some terrifying truths about "the good old days." | ||
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Thomasin McKenzie Last Night in Soho |
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