Fangoria issue
<< Fangoria#128 >>
november 1993
| p.4 | Elegy: The Waiting Game | |
| Delay reactions | ||
| p.6 | The Postal Zone | |
| Defending the Sci-Fi Channel and the "Halloween" sequels. | ||
| p.9 | Monster Invasion | |
| Addams Family Values Boasting a stronger script and new additions to the clan, the Addams family returns for more relative weirdness. |
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Barry Sonnenfeld Addams Family Values |
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| Skipp & Spector Skipp & Spector make double assault with their new novel Animals and their first comics tale for Green Lantern Corps Quarterly #7. |
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John Skipp Craig Spector Animals |
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| The Terror Teletype | ||
| Video Chopping List | ||
| p.12 | Biography: When the Movies Got Tenser - Part One | |
| This British producer broke into the horror field by sponsoring the likes of Roman Polanski and Michael Reeves. | ||
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Tony Tenser The Black Torment Repulsion Witchfinder General A Study in Terror |
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| p.18 | Raving 'n Drooling: Take This Child and Shove It | |
| The kids are alright without overprotective media watchdogs. | ||
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David J. Schow |
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| p.21 | Advertisment: Joe Blasco's Spotlight On Success! Nina Kent | |
| Nina Kent studied make-up at Joe Belasco's center. | ||
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Nina Kent |
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| p.22 | On Set: Man's Best Friend: Beware of This Dog | |
| In New Line's latest bite into the horror market, the terror starts AFTER you bring home a watchdog. | ||
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John Lafia Man's Best Friend |
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| p.28 | Preview: Ghost of a Chance | |
| Director Rachel Talalay put all her Freddy experience to good use when she tackled "Ghost in the Machine." | ||
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Rachel Talalay Ghost in the Machine |
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| p.32 | On Set: Cops, Creeps & Crypts | |
| With his humorous adventurous approach to genre filmmaking, Fred Dekker was a natural choice to direct "RoboCop 3." | ||
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Fred Dekker RoboCop 3 The Monster Squad Tales from the Crypt Night of the Creeps Ricochet |
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| p.38 | The Video Eye of Dr. Cyclops | |
| Doppelganger | ||
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Avi Nesher Doppelganger |
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| Demon Possessed | ||
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Christopher Webster Demon Possessed |
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| Eyes of the Beholder | ||
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Lawrence L. Simeone Eyes of the Beholder |
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| Mardi Gras for the Devil | ||
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David A. Prior Night Trap |
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| The Deadly Mantis | ||
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Nathan Juran The Deadly Mantis |
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| The Saga of the Viking Women and their Voyage to the Great Sea Serpent | ||
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Roger Corman The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent |
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| p.40 | On Set: The Conjuring of Pumpkinhead II | |
| Jeff Burr's follow-up to Stan Winston's successful shocker looks to be demonstrably better than most horror sequels. | ||
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Jeff Burr Pumpkinhead II: Blood Wings |
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| p.44 | Minifeature: Pumpkinhead: Multi-Media Monster | |
| Pumpkinhead CD-ROM game, comics and model kits. | ||
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Pumpkinhead |
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| p.46 | Preview: Scary Christmas To All... | |
| And to all a good fright. Disney's animation juggernaut takes a turn for the decidedly weird under Tim Burton's supervision. | ||
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Henry Selick The Nightmare Before Christmas |
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| p.52 | Biography: Director of the Dead | |
| What's the secret of Brian Yuzna's success in the horror genre? It's this simple: He loves the stuff. | ||
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Brian Yuzna Return of the Living Dead III Ticks Initiation: Silent Night, Deadly Night 4 From Beyond Re-Animator |
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| p.58 | On Set: Dario Argento: At the Head of the Class | |
| Directing his first full feature on American soil, the Italian auteur delves into "Trauma." | ||
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Dario Argento Trauma |
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| p.64 | The Second Annual Fangoria Chainsaw Awards | |
| Once again, Fango's yearly ceremony allowed the readers to make their voices heard. | ||
| Fangoria Chainsaw Awards | ||
| p.68 | Nightmare Library | |
| The Chosen by Edward Lee | ||
| Edward Lee The Chosen | ||
| Yesterday's Tomorrows by Bruce Lanier Wright | ||
| Bruce Lanier Wright Yesterday's Tomorrows | ||
| The Year's Best Horror Stories XXI by Karl Edward Wagner | ||
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Karl Edward Wagner The Year's Best Horror Stories XXI |
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| Drawing Blood by Poppy Z. Brite | ||
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Poppy Z. Brite Drawing Blood |
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| Nightmares and Dreamscapes by Stephen King | ||
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Stephen King Nightmares and Dreamscapes |
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| p.72 | Review: Body Snatchers | |
| "Although the film does not fit easily into an auteurist schematic of the director's work, it retains the distinctive Ferrara bite." | ||
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Abel Ferrara Body Snatchers |
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| p.78 | Classified Ad Vault | |